The key distinguishing impression of Helvetica is, essentially, that it has none. This Sans Serif typeface is one of the most beloved fonts used by designers and creators alike. Helveticaĭesign via Helvetica by Linotype It is also an excellent option for online brochures. Because there is a bit more inherent spacing (or kerning) between each character, Verdana is an ideal brochure font for areas where there are blocks of text. Since then, this Sans Serif font has gained popularity amongst designers both on- and off-screen. Verdana was originally designed primarily for increased legibility on low-resolution computer screens. Read on to find the one that speaks to you. Whether you’re looking for the best font for your tri-fold brochure, an online brochure, or a custom brochure, we’ve got a variety of options and use cases that will help you get the most out of your design. The best fonts for corporate brochures will vary widely by industry and topic. For instance, the best font size for an A4 brochure varies depending on the typeface style you choose and the location of the text within the brochure, so a holistic approach is essential.Īs you contemplate the best fonts for your brochure, it’s important to be thoughtful of your overall design, branding strategy, and space limitations. You’ll want to consider both font size and readability as you envision how your text will integrate into your finished brochure. Even the most elegant design can be ruined by an overabundance of Comic Sans! The right font can make your brochure’s content stand out from the crowd in all the best ways, while a poor font choice can confuse the reader and cast doubt on your message. When making a brochure, something as seemingly harmless as font selection can have a huge impact on your project’s success.
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